Poetry and Prose by Writers’ Workshop (2020)

Since its inception in 1992, more than fifty people have participated in Writers’ Workshop. The workshop provides a safe place for people to develop their own voice through poetry, fiction, and non-fiction prose.

The Workshop meets seven or eight times a year from January through June and September through December, on the third Tuesday of the month.

All are welcome to participate, gathering in the Boardroom at 4:00 pm. Express your interest to Peter Flachsbart, facilitator.

These group members displayed the following examples of poetry and prose as part of Faith & Arts Sunday (February 16, 2020): Willow Chang, Peter Flachsbart, Donald K. Johnson, Jean-Paul Klingebiel, Kathryn Klingebiel, Nedra Walker, and Rebecca Woodland.

refuge in the garden shop

i take refuge in the garden shop.

i always have.

and each i remember, for the temples they are.

though few remain, they still grow and sway

in my memory

star gardens, attached to a supermarket

aina haina gardens, that doubled as santa’s workshop,

filled with christmas displays year round

and niu valley nursery

an urban eden

that was lush and green and somehow wilder

the deeper you explored the grounds

here, palm trees and banana trees and citrus groves co-exist

wishing

to be taken home

to gardens or backyards or perhaps a tiny lanai

i learned the names of trees that bore fruit

the surinam cherry, with its tart taste was shaped like tiny wine-colored pumpkins

the calamansi lime, came from the philippines, borneo and sulawesi

the strawberry guava tree, willowy and slender, grew fruit that birds could not resist

i walked amongst the snow bush, the cypress, and the fiddle leaf fig trees

wove in-between air ferns, and hapu’u ferns and maiden hair fern

all lacy, all majestic

sometimes, i’d see a Norfolk pine, sitting in a pot

that would send my heart humming with thoughts of Christmas

and the shiny, green leaves of a ficus tree shimmered

with the intersection of symmetry and simplicity

and what of the flowers? above all i coveted the rose

every rose, in fragile and defiant beauty

i inhaled deeply, eyes closed

every time embracing what no perfume can rightly capture

the scents of a garden shop comfort

the mixture of moist and humid, earthy and musky

floral and mountainous

and the aroma of herb plants

rosemary for remembrance

and lavender, which bees circle like satellites

made me feel this, was heaven.

it still does.

willow chang

khoda hafez

khoda hafez

may god protect you

khoda hafez

for we are weary

khoda hafez

we are tired

tired, of small hearts

and small minds

tired

of sanctions on medicine

and those who pour on poison

on the root of fruit trees

khoda hafez

somewhere children cry

and somewhere, someone, has forgotten how to

as the relief tears can sometimes bring

has run dry

khoda hafez

can you hear us?

khoda hafez

please, protect us

kyrie eleison- Lord have mercy

please, don’t forget us

we never forgot you

khoda hafez

khoda hafez

willow chang

kwan yin with a smile

i am a rock star

without a band

i wear rings

on both hands

i am a nomad

with an address

i am a fur mom

with no remaining furry pets

i am a dreamer

with surprisingly few regrets

and as of late i feel

i am a child, without a mother

while i am a mother

without child

still, i’ll channel kwan yin

with a smile

and a small vile of tears

and a willow branch, in hand

i am complete, solo

but enjoy the company, of my man

and i have sung and i’ve flown

i’ve hummed together

and i’ve roamed

i walked the dogs

and taught your kids

and loved each, uniquely, without end

every song, every address, every animal

journey, lover and friend

willow chang

requiem

i write this requiem

for trees unjustly felled

whose bountiful embrace held

a million birds, now homeless

this requiem

is for every guru

who shared with me and showed me

the ways of the artist

the rebel and the scholar

the pitfalls, of the misunderstood

the delicate balance

of creation and commerce

i write this requiem

of haunts torn-down

dives and greasy spoons, that fed bellies and spirits

after the witching hour

places filled with theater folk, club kids

the jet-lagged, barflies and the broken hearted

i write this requiem

for those who know who they are

but feel others may never understand

for those who deal in the currency of love

in a market, of disrespect

for those who dream big

even when someone yells at them, from the other room

words, i will not print here

this requiem

is my simple way to say

i see you

i hear you

i feel you

i remember you

i remember

willow chang

secret Chun Hoon run

at the end of the day

as dusk would settle in

like a cloud blanket

over a nu’uanu sky

so many moons ago

my dad would pick me up

from chinese school

i was so jubilant to escape

that concrete prison

of mind and soul

i’d climb into my dad’s Rambler

it was an old car, even then

heavy and boat-like

painted blue-Navy grey, probably not unlike the colors

he saw everyday at the shipyard

where he worked

dad would whisk me away

a few blocks down the street in the car

felt like leaving the country

of Cantonese Confusistan

dad would whisper “Want to go to Chun Hoon’s?”

grinning ear to ear, Yes! was said with my eyes,

well before my voice

we’d roll to the neighborhood Superette

where he’d buy me a strawberry ice cake

knowing it could ‘ruin my appetite’ before dinner

but also knowing

this frosty sweet

was just the treat

and shared ‘secret’

his daughter needed.

willow chang

The Double Feature

the double feature

how it holds court in my memory

2 films, for the price of 1

the Chinese in us Changs Celebrated

as frugality and bargains

were regarded as both skills

and gifts

few will remember

that theaters in Honolulu were named after titles of royalty

The King, The Empress, The Princess, The Queen

and how befitting

for these celluloid palaces housed and animated

a million cinematic dreams

and a million themes,

jokes, laughs and tears

a Technicolor headtrip

a parade, of Edith Head fashions

paired with Sci-fi distractions

and juicy coming attractions

ensured the addicted to films

would always be

these movie houses

felt like my second home

movie houses

temples of escape

a place to hold hands

share popcorn

or make a forbidden call

in the lobby pay-phone booth

the multiplex of today

can’t hold a candle

to the theaters of yesterday

filled with art-deco design and pipe organs

welcoming ushers and old-world romance

and outside, neon signs

paged every cinephile for miles

like a moth to the light-up marquee

and what of the double-bill?

today it’s for those with time to kill

and the will

to sneak in and sneak around

slip in

and slip under

radars of those ushers

who likely watch movies not films

on phones

computers

or on couches

willow chang

A Review of the Movie “Green Book”

Green Book graphic

Last month I went to see the movie “Green Book” at Kahala Mall with my wife Jan and her sister Elaine. Unlike me, Jan and Elaine had seen the movie before. The film received three Academy Awards: best picture, actor in a supporting role, and original screenplay. I wanted to see “Green Book,” because it takes place just seven years before my trip through the South in July of 1969. I wrote about that trip in an essay I wrote for Writer’s Workshop on December 10, 2018. The Green Book was a travel guide used by African American motorists to avoid social obstacles prevalent during a period of racial segregation in the U.S. The Green Book listed businesses that would accept Black customers.

The movie “Green Book” is part comedy, part drama, part history lesson, and part social commentary on the meaning of friendship and race. The film is based on a true story that occurred in 1962 when gifted black artists could entertain all-white crowds in the U.S., but not sit or dine among them—or even use the same bathroom. The director, Peter Farrelly, cleverly reveals the tension between the two main characters: Tony Vallelonga and Dr. Don Shirley.

Viggo Mortensen plays a night club bouncer named Tony who loves popular music. He is married to Dolores played by Linda Cardellini. They live in the Bronx with their kids and Italian relatives. Dolores is more open-minded than Tony about race relations. Mahershala Ali plays a black pianist, Dr. Don Shirley, who prefers the music of Chopin. He also prefers the refinements and culture of his home near Carnegie Hall in Manhattan. In the movie, Shirley and two other musicians present themselves as the Don Shirley Trio. They have booked a series of concerts, many of which will take place in cities in the deep South. Dr. Shirley hires Tony to be his personal chauffeur for the trip. This reversal of traditional roles inspires many scenes—both humorous and tragic—in the movie.

Dr. Shirley maintains high ethical standards that irritate Tony’s blue collar lifestyle.

Dr. Shirley refuses to lower himself to Tony’s vulgarity or even listen to the popular music that Tony wants to play on the car radio. Dr. Shirley is clueless about popular music by black musicians. He can’t tell how Aretha Franklin differs from Chubby Checker. Dr. Shirley fully understands that the moment he steps off stage, he is just another black man to the white people who moments earlier applauded his musical talent. Sadly, Dr. Shirley’s personal life is a mess and somewhat of a mystery. He no longer talks to his brother (for reasons that are not too clear) and his marriage has failed, because he is always performing on the road. He also tends to drink a lot, because he is all alone in the world. But he has a powerful friend (Robert Kennedy) in the White House. Robert Kennedy gets Dr. Shirley and Tony out of a small-town jail when Tony punches a police officer who had stopped their car for a minor infraction. Near the end of the movie, Shirley finally becomes very emotional when he confesses to Tony that he doesn’t fit into either white or black society. Near the end of the movie we also learn that Dr. Shirley is gay. As the two men become closer friends, Dr. Shirley helps Tony with his daily letters to his wife Dolores. With Shirley’s help, Tony’s letters begin to sound more romantic.

The two lead actors give strong and convincing performances. The director (Farrelly) allows both actors to shine in completely opposing ways. Mortensen gained more than 30 pounds for his role as the chauffeur. Ali took extensive training on the piano to portray a concert pianist. The stark contrast between Tony’s rough Italian bravado and Shirley’s more refined demeanor—yet vulnerability—made me laugh and cry. Both actors deserved an Academy Award in my opinion, but Ali won the award for best supporting actor. One reviewer wrote that the movie is a love letter of sorts—to a friendship that’s a reminder that the world needs more empathy and human connection. The music from the Don Shirley Trio is easily worth the price of admission.

Peter Flachsbart
March 18, 2019

CANCER

As happy a yellow as you’ll ever find

Trumpets spring into our breakfast time

Where ominous doctor words are

Softened by the spirit’s swirl

Through coffee fume and daffodil

Still dread is abed in the back room

Plotting the final night     (February 3, 2012)

Enough

We have circled that mountain

Now’s the moment for hope to rise like incense

Smiling about the sun’s glory light

Don Johnson
March 8, 2010

Mouse Wisdom

Look across the way

a grey wisp of soft silken stealth

monitoring for terrorists

It’s my neighbor

a wee gulp in the food chain

charged with homeland security

 

His binocular beads

scan for fangs of leather lightning

coiled in the shadows

Daily he twitch-samples the breeze

for creature stench fuming on the wind

Twin radar alert for fearful feather fans aloft

 

He too is concerned for the safety of his children

 

It’s a wonder how his kin learned to endure

dinosaurs

pestilence

and eons of bone crunching pounce

without learning hate and war

Don Johnson 2014

Green Man

O for the Green Man to appear,

The forces of Good to come near

Versus the mean greed a bulwark

For our world out of Noah’s Ark.

 
Who is to say our God does not like

To linger in the woods he so loves

Keeping an eye on our misgivings

Forgiving our sins upon our passing?

 
Yes we should be more aware

Of the earth entrusted to our care

Are we condoning wanton reaping

Of its finite but generous giving?

Jean-Paul Klingebiel

Musings

Music to my ears, music of the spheres

Universal Language to touch everyone

Innate vibrations, glue of the Universe

First signs of life in atoms and molecules

Precursors of life in complex organisms

Basis of music with universal appeal

Not the kind of noise some play too loud

But serene music artfully crafted and played

That everyone can feel and comprehend.

This is the way to communicate with God

For all humanity to use in their worship

Of the one God in all his manifestations

Jean-Paul Klingebiel
January 18, 2015
JPPoem137c-20150118-Musings

Ode to Terns

O white spirit of the wind

Free and wild beyond dreams

Spirit of joy and fearlessness

Late afternoon winds tempt you in pairs

Soaring, looping, diving to your hearts content

Not prompted by design nor necessity

Acrobatic pilots you inspire us humans

To take time off from imposed obligations

And take joy in flights of fanciful actions

Jean-Paul Klingebiel
April 7, 2014
JPPoem13320140407

The Stuff of Songs!

Pasta, al dente, porcini fungi

Salsa primavera, linguini

Olio de oliva prima, garlic

Gnocchi, mozzarella di bufala

This is the stuff of songs!

 
To eat or not is not the question

Who can resist all this bounty

Watering your mouth just in thought

What of the pizzas and calzoni

Many things to wrap your tongue around

 
Sure, popular foods are appealing

Calling to our gustative memory

With their sonorous sounds.

But there is so much more,

Sophisticated menus abound

 
There are days for simple pleasures

And others for more refined fare

All around the world can be found

Delicacies and hearty foods

Can you sing with a full mouth?

Jean-Paul Klingebiel

Englyn – Poème gallois – A Welsh Poem

Dyma weryd y morwr—o gyrhaedd

Gerwin for a’i ddwndwr:

Ei dderbyn gadd i harbwr

Heb don ar wyneb y dwr!

 

Voilà le tombeau du matelot—à l’abri

De la mer sévère et ses profondes eaux:

Il a trouvé son calme dans un hâvre

Sans vagues à la surface de l’eau.

[à la mémoire de Richard James, âgé de 79 ans,
Borth, Wales, 1894]

Here is a sailor’s tomb – beyond reach

Of the severe sea and its cruel depths:

He has reached his berth in a harbor

With no waves at the surface of the water.

[to the memory of Richard James, Master Mariner,
aged 79 years, Borth, Wales 1894]

Kathryn Klingebiel
2012-03-12

inside the kingdom of sentiment

inside the kingdom of sentiment #1

past personal feeling

past perfect feeling

conjugated anew? not now:

our past a perfect togetherness

our togetherness perfectly past

 

inside the kingdom of sentiment #2

present impersonal feeling

present discontinuous feeling

conjugated no longer: indeed,

our past a continuous togetherness

our togetherness presently past

 

inside the kingdom of sentiment #3

future potential feeling

future progressive feeling

conjugated again? after all,

our future for the taking

our now a future in the making

Kathryn Klingebiel

kitchen haiku

#1

controlled burn

toast in the toaster oven

stop it

just right

 

#2

in the middle of the kitchen a vase blooms:

a pot, a red spoon, and

an amaryllis

 

#3

that 600-lb frosted gorilla in the middle of the kitchen

last night’s carrot cake,

or all that’s left of it—

who will pounce?

Kathryn Klingebiel

my words’ worth on the beach

does the world need another bad poem?

no but maybe I do

maybe tonight the need justifies

facing down the end of quiet

rushing over the edge

of the waters of indecision

to spill waves of words

on worthy shores

hoping for a soft landing

for just the chosen few:

my words to somehow conjure

a place to breathe, hoping for

a chance to catch their breath

and move up the beach;

words made of letters but drownproof

and ready for the break

of the real poet’s next line

Kathryn Klingebiel
2012-09-23

street chair man

I live in a chair

between the sidewalk and the curb

On the edge of the park

You see me you do not look

I look at the trees the passersby

Turn my back on the busy boulevard

And on the cars and hills

I do not see the hills

I do not lift up mine eyes unto the hills…

from whence cometh my help?

Kathryn Klingebiel
2012-04-15

writing to my brother by the light of the moon

writing to my brother by the light of the moon

on the night of his death:

the eye of the moon sees me here tonight,

the same moon perhaps remembers him where he used to be

 
one last wish:

to write him beyond this mortal coil,

past the moonlight

and into the stars

Kathryn Klingebiel
2014-11-09 (rev 2019-11-03)

The Brightest Star

Sometimes I wonder if you know

How wonderful you are—

I wonder if you realize

You are a shining star.

 

There are those who know you are

A joy to be around

There are those who seek your light

To lift them when they’re down.

 

I know that there are some who can’t

See all the good you do;

And some who can’t appreciate

The loving light from you.

 

But don’t despair when other stars

Are jealous of your bright.

And don’t despair with those abed

Who cannot see your light.

 

For there are many who do see—

On whom your light does shine—

And I count it a blessing that

One head of those is mind.

 

So you just keep on shining,

And being who you are;

Spend not one moment crying—

You are the brightest star!

Nedra Walker

The Mask

The mask is crafted beautifully—

No flaws, no errs, no cracks to see;

Unblemished as new fallen snow,

Hiding all the cracks below.

 

A weary one all cracked inside,

Will crawl behind the mask to hide;

Thinking not of cost, nor task,

Thinks not of burden, dons the mask.

 

But you can’t wear the mask for free—

It’s crafted much too beautifully;

But once it’s donned, you find too late,

It cracks you more to bear the weight.

Nedra Walker, 2004

Standing

God’s love—beyond understanding

God’s power—beyond understanding

God’s plan—beyond understanding

 

And here I am standing

Out in the rain

Here I am standing

Deep in my pain

Here I am standing

Again and again.

 

I see you standing—in spite of all

Your faith so strong—in spite of all

And envy you—in spite of all

 

Unfair in the standing

That you should have pain

That you should be standing

Out in the rain

And that you must fight

Again and again.

 

But you have courage—born of your faith

You have strength—born of your faith

You have hope—born of your faith

 

And there in the standing,

You are inspiration

Where others are standing

And live in frustration

When others stand lost

In pain’s undulation.

 

God’s love—beyond understanding

God’s power—beyond understanding

God’s plan—beyond understanding

 

God sees you standing

Out in the rain

God sees you standing

In spite of the pain

He knows you’re outstanding

Again and again.

Nedra Walker, 2004

Who’s Screaming Now?

I am deafened by the screaming

One hears out in the night—

Hate, distrust, anger, pain,

Frustration, despair, fright.

 

I am deafened by the screaming

In the cycle of abuse—

When people will condone the power’s

Insane abject misuse.

 

I am deafened by the screaming

That doesn’t make a sound—

Yet manifests in hatred,

And echoes all around.

 

I am deafened by the screaming

That isn’t even there—

When vacant stare accepts despair

And silent din rips the air.

 

I am deafened by the screaming

That goes on in my head—

As the scope of human blindness

Fills my heart with dread.

 

Then when injustice comes to call,

Deaf, and blind, and waiting,

Ready to embrace us all—

I am deafened by the screaming,

And the screaming,

and the screaming,

and the screaming….

Nedra Walker, 2004

Edith

Edith is angry, but she dare not show it. After all, she considers herself a good person, a Christian, not one to lose her temper. Why is she upset? Oh, there are so many reasons. Basically, things are not the way they used to be. Things are not the way she wants them to be or expects them to be. Things are not the way they should be, at least according to her way of thinking.

Edith had retired more than a decade ago, from a prestigious (at least in her mind) position she loved. The first few years of her retirement were spent caregiving, a taxing task. She had little time to herself, and it made her feel good to feel needed. But circumstances changed, people passed on or got well, and she was no longer needed in the same way. She was free to create a “new” version of life for herself.

Edith continued her involvement in a few volunteer activities. She is a hard worker and very reliable. These involvements absorb several hours a week, usually over two or three mornings. She now has plenty of time on her hands.

Her focus has shifted.

Edith considers herself a leader, a discerning woman of God, and she secretly believes that she is a tad more spiritual than most. As such, she considers it her God-given duty to analyze and critique (just a fancy word for “criticize”) those whom she considers less spiritual or capable than herself, and people whom she believes are not doing their job ~ at least not doing it the way she would, or the way she wants it done. She believes she is exercising discernment, doing a good thing, and somehow motivating people to do better, work harder, or accomplish more of what she deems important. Thinly veiled as spiritual concerns, her criticisms and judgments about people and issues she does not understand (and refuses to see through any lenses other than her own) have fermented into gossip. To even a casual observer, it looks like backstabbing. Edith will not address the persons or issues directly; she expects the rest of us to do her dirty work. Yes, I said dirty work.

Edith gives orders. She was never in the military, but she would have been a good sergeant. Her language, whether spoken or written, comes across as demanding, insistent, and VERY judgmental. She seems incapable of using words that encourage, support, motivate, or inspire. Apparently, she has never heard (or believed) the old adage that you catch more flies with honey.

Edith used to work the elections, staffing the check-in desk at her neighborhood polling station. She did this task with great efficiency and officiousness. She took pride in checking details, especially voters’ I.D.’s, which she examined with a microscopic, suspicious gaze. On the rare occasions she found a slight discrepancy, Edith took immediate action and swiftly ushered the would-be voter out of the building, with no explanation. Edith worked during several elections, including both Bushes. She misses the polling station and is looking forward to getting back in the action for the upcoming election.

Edith is disgruntled about the way the government operates. (Aren’t we all?) City, county, state, federal, and international government affairs are major cause for concern. She counts it her duty to bring up the latest horror story or issue she has read about, sending emails to her circle of friends and acquaintances to solicit awareness, agreement, and prayers. Her concerns motivate her to reach out to everyone to remind them to register to vote. She contacts her representatives and senators, city council, and anyone else who might listen, insisting that they upgrade their efforts to get more voters registered. After all, it is their responsibility! More voters would influence the outcome of any election, creating a better outcome for all. Her zeal is relentless.

* * * * * *

Election day has dawned. Edith arrives early to her secure her spot at the check-in table. She waits. Voters begin to trickle in. She does her job and waits impatiently for more people to show up to vote. Crowds are sparse compared to what she recalls from previous elections. She is concerned. During a brief break (she claims she needs to use the Ladies’ Room) she calls her Representative and Senator, and the Governor’s office and Mayor’s office. Frustrated because she can’t get through, she leaves vitriolic messages on their answering machines, castigating them for their “obvious” negligence in getting voters to the polls, while expressing her profound disappointment in how they are doing their jobs. She returns to her desk, satisfied and smug knowing that she had fulfilled her civic duty by making these calls.

The day progresses. The stream of voters is slow but steady, more like a drizzle than a stream. Edith’s concern escalates. What is happening? Why so few voters? She is worried and quietly seething. If only the elected officials would do their jobs and get more people to vote! More rallies, flyers, networking, or whatever it takes. It is obvious they must be slacking off.

Mabel (Edith’s co-worker at the check-in table) senses Edith’s irritation, very thinly disguised as concern. By now, Edith’s concern is distracting her from doing her own job correctly, and Mabel is picking up the slack. Edith vomits her concerns to Mabel, who explains that this voter turn-out is normal now that most voters in this district choose to vote by mail (absentee ballot) or vote in advance at City Hall. Edith isn’t buying it. She relishes the action and excitement of election day at the polling station, the way she remembers it.

Near the end of her shift as the crowds trickle to only a handful, Mabel suggests that Edith take this opportunity to vote. Mabel searches for Edith’s name on the list of registered voters for this district and this polling station.

Edith’s name is not found. A further search revealed that Edith is not even a registered voter. In fact, she had not voted in any of the elections she had worked!

Conclusion (Choose your favorite):

  1. This “oversight” of failing to register to vote apparently did not faze her. It is everyone else’s fault that the number of people at the polls was fewer than she expected. It is the responsibility of elected leaders and government officials to demand their constituents get out and vote. Edith continues to harass them, but never gets around to registering to vote.
  2. Edith tries to register to vote at the polling station, but she has forgotten her government-issued I.D. and her Safeway Club Card does not count. She is unable to register to vote in this election.
  3. Edith’s preferred candidates each lose by a single vote. Her vote would have made the difference. She tries to demand a recount on behalf of the losing candidates. Recount is denied. Edith is upset and lashes out by writing scathing letters to the editor, of course omitting mention of her own negligence.
  4. Edith assumes she is automatically going to work the next election and is shocked to learn that she no longer qualifies, as a new rule for the job requires that the applicant voted in the previous election. Also, word has circulated about her behavior, attitude, and rudeness. No one wants to work with her. She does not represent the spirit of aloha or democracy.
  5. Edith sees the error of her ways, emails apologies to all the government officials she harassed and blamed, begins regular sessions with a clinical psychologist, writes a letter of apology to the local newspaper, registers to vote so she is ready for the next election, and joins a 12-step program for control freaks.

Rebecca Woodland
Honolulu, Hawaii. September 30, 2019

Ruth’s Car

The year was 2019. The month was July, the month before her safety check would expire. Her trusty Toyota, purchased in 2002, had battle scars but other than that it provided reliable transportation. No mechanical problems, thank God. Ruth needed this car to get to work. She lived out of range of public transportation, but she also used her car on the job. She had a lot of stuff to haul, far too much for the bus or a taxi.

She had a roof over her head, a modest lifestyle, and not a penny to spare. Her tenant had suffered a stroke a few years prior, was unable to work and got far behind on the rent. Six figures behind. Ruth understood her plight, as she had herself once been in a situation that necessitated grace, patience, and trust on the part of her landlord.

Ruth covered the tenant’s deficit, which the tenant is now repaying as she is able, but the years of covering the deficit had a ripple effect of incurring massive credit card debt, at least it felt massive to Ruth. She had never carried a balance on any credit card. Things were different now.

Ruth checked her mailbox. The only piece of mail was a notice that her car registration was due in a few weeks, and verification of a current safety check was required to accompany the registration payment. She made an appointment to get a safety check. Ruth took pride in being on top of things, responsible, and paying all bills on time. She had never, in all her 68 years, had a late payment on anything.

Her car passed every item on the checklist for the safety check. The car passed, but the tires did not. Worn tread, dangerously thin, on all four tires. The mechanic could not, would not issue a safety check until the car had four new tires.

This was not a surprise she was prepared for. Four new tires would cost nearly a thousand dollars, money she did not have. Her credit was as thin as the tread on her tires. The car was a hazard on the road, according to her mechanic.

She cautiously drove home, avoiding potholes and rough patches as much as possible. How would she solve this situation? She called a friend to share her dilemma.

“Have you heard about the transportation assistance fund? It was set up to help working women who have transportation issues. It’s offered through an organization you and I are involved with. I think you would qualify. It’s a short form, pretty easy to fill out. I’ll send you the link.”

Ruth sighed in relief. If she could get money to help pay for new tires, then she could pass the safety check and send in her car registration before the deadline. She opened her email, clicked on the link, and spent the rest of the afternoon answering questions that she felt were a bit invasive…but she desperately needed financial assistance and she understood why these questions had to be answered. Ruth completed the application, attached the required documents, and hit send.

Several weeks passed. Ruth prayed her tires would hold up until she could replace them. She hoped this would happen before her car registration was due.

One morning Ruth received an email informing her that she qualified for substantial financial assistance. She responded by email, thanking them for their generosity. She had no idea how or when the funds would be available. She didn’t press the issue, as she did not want to seem ungrateful, entitled, or rude. She wrote a simple thank you, without qualifiers or questions.

The next day she learned that the funds would not be issued to her directly. The administrator of the funds decided to send the entire amount to the automobile dealership where Ruth had purchased her car. What?? That made no sense. Her car had been fully paid off fifteen years ago. All she needed was a new set of tires and some help paying the several hundred dollars to renew her car registration. What was the car dealership supposed to do with the money?

The would-be benefactors had their rules and procedures. They stated, in no uncertain terms, that accountability was paramount. Yes, of course! But why would they assume that a corporation, a car dealership no less, would be more responsible and accountable than she, a person they knew to be trustworthy?

Ruth was informed through a third party that because she did not request in her thank you letter that the funds be sent to her directly, they wouldn’t be. Excuuuuse me! Ruth could not believe her eyes when she read this message, which had been sent to a mutual acquaintance.

Some people are just TOO ha’ole! Control freaks. My way or the highway. Cannot and will not put themselves in someone else’s shoes.

If accountability was truly their concern, Ruth would gladly provide them with a copy of the bill for her car registration, receipt of payment after the bill has been paid, as well as a written statement from Costco Tire with prices for the kind of tire Ruth’s car needed. Ruth did not have the money to pay for this up front and wait for reimbursement from the transportation fund.

But the people administering the transportation fund, who (by the way) had never fallen on hard times financially, had their protocol and their own ideas about “accountability”.

Write your own ending:

  1. The money is sent to the car dealership and falls through the cracks. The check never gets to Ruth, and never gets cashed, so the funders assume she never really needed the money. Ruth can’t buy new tires > can’t pass safety check > can’t renew her car registration > gets into an accident when her tires blow > no car insurance because of all the previous > sustains accident-related injuries > can’t get to work because car is not drivable > loses her job > loses her health insurance which was tied to her employment > loses her home > both Ruth and her tenant join the ranks of the homeless.
  2. The money is sent to Ruth directly, who uses it to buy new tires a pay her car registration. She sends receipts to funders, with another thank you note. Ruth continues driving, keeps her job and her insurances, and carries on with her life.
  3. The money is divided. First check goes directly to Costco Tire, to pay for 4 tires. Second check goes the DMV to pay her car registration. Ruth continues driving, keeps her job and her insurances, and carries on with her life.
  4. The administrators of the transportation fund lose their positions. More compassionate, akamai people replace them.
  5. The original administrators embezzle thousands of dollars. Eventually they are found out. They all end up in prison.

Rebecca Woodland